Atlantic Records released the remix EP Awake and Remixed digitally on March 22. The EP comprises four remixes from the album Awake by ridiculously huge Christian rock band Skillet, including one by The Legion of Doom. (The other three remixes have fancy names, but the remixers aren’t credited, so we have no idea who did them.)
The solo album Melancholics Anonymous by Trever Keith (best known for his band Face to Face) was first unveiled back in 2008 when we did a brief North American tour to support it, but the release was limited to a short run of hand-numbered CDs sold at the shows.
Earlier this year Trever re-released the album on CD and digital download, with a slightly different track listing (including the originally unreleased track “Another Diversion”), available directly through his Bandcamp site.
Trever and I put a lot of love and care into this record, and I think it’s pretty great. But I’ve never written about it on my site before, so this seemed like a good time. I’m especially proud of the tracks Incommunicado, Polish, Absolution, and Bleeding Out. Listen here:
Recording notes: This album was several years in the making, and comprises recordings made at Cello Studios in Hollywood, CA (drums, bass, guitars, recorded to Studer A-800 at 15ips) and Audio International in Ojai, CA (more drums), along with many other instruments performed and programmed at The Eye Socket and at Trever’s personal studio. Rustic keyboards feature prominently throughout the album, including Trever’s Wurlitzer 200A and Clavioline, Mellotron, and Hammond Extravoice. Vocals were recorded at The Eye Socket (mostly) on a modified Neumann CMV-563 with a BLUE omni capsule. There are copious amounts of tape-based echo and doubling effects all over the record (Klemt Echolette S, Tesla Echolana 2, Maestro Echoplex, Fulltone TubeTapeEcho, Rheem Califone), along with the trusty Sherman Filterbank and plenty of other weird noisemakers and processors. We mixed at The Eye Socket to 1/2″ analog tape (on an Ampex ATR-102 running at 30ips). Joe Gastwirt mastered.
Our recommended download provider is bandcamp which offers digital files in your choice of high resolution formats, and includes the digital booklet with artwork and lyrics when you purchase the full album.
A compact disc version is also available from Amazon.
Viva Death also has a completely revamped website, with streaming audio from all three albums (including unreleased tracks from the first two) and an official Facebook page.
Recording notes: I co-produced (along with Scott), recorded and mixed, serving my usual Viva Death role of noises and effects. This album deviates from Viva Death precedent in two important ways. First, we set aside the “baritone guitars only” rule of the first two albums. Bass and standard guitars feature prominently (along with some baritones). Second, Scott (Shiflett) played everything — the usual Viva Death lineup was unavailable, so apart a few special guest appearances, all the drums, bass, guitars and vocals were rendered by Scott. Despite these significant differences, the sound is unmistakably Viva Death: dark, strange, angular, sometimes ferociously aggressive, sometimes spacey and psychedelic.
We tracked drums to tape (analog 24 track, 15 ips, no noise reduction) in Studio A at Kingsize Soundlabs. We moved to Studio B to overdub bass and guitars, with the invaluable aid of Trever Keith in providing gear and setting up guitar sounds (see pics on the photos page). From there, the project went to The Eye Socket where we recorded vocals, more guitars, the occasional keyboard, samples and other weirdness with copious amounts of tape echo. Satnam Singh Ramgotra lent his formidable tabla skills to one track (Love Lust Trust), and our dear friend Monica Richards (of Faith and the Muse) added backing vocals to another (Talking Backwards). We mixed the tracks at The Eye Socket, recording the masters to 1/2″ analog (an Ampex ATR-102 machine) at 15 ips. Joe Gastwirt mastered the album at his studio.
My friends The Deep Eynde have just released their new album Spell*Bound on Fiendforce Records in Germany. In the label’s words, “The legendary Hollywood Death-rockers are back with their darkest album to date. Punk meets Goth and becomes a masterpiece!” I would say this record is rather less “punk” than their previous two, and in some ways a return to the dark romantic sound of their earlier work — but with a warmer, wider sound, driven by live rock energy.
I produced, recorded, and mixed the record, and played keyboards on several tracks. Singer/lyricist Fate Fatal is at the top of his game, the band is excellent, and guest appearances by Gitane Demone add another dimension toward the end of the album. I’m very proud of this one.
Recording notes: We tracked drums, bass, and the first guitar part all together, in two days at Westbeach Recorders in Hollywood (see the photos page). We returned there for another two days of electric and acoustic guitar overdubs, then moved to The Eye Socket (in Venice) for vocals, keyboards, sound effects and mixing. Production was interrupted when I had to pack everything up and move to Boston at the end of last year (see this post). After rebuilding my studio in Boston, I completed the mixing and mastering at The Eye Socket mk V.
Spell*Bound is available from Interpunk and Amazon and should be available from digital stores soon. Find more info on the band’s facebook and myspace pages.
The long-awaited album The Legion of Doom vs Triune has been released! The story behind this album’s release is a long one…suffice it to say that after sitting on it for way too long, our esteemed distributor has finally (and unceremoniously) unleashed it on the world. They were supposed to release CDs, but they didn’t. (Digital downloads only.) They were supposed to do some promotion, but they didn’t. (Not a peep, even on their website.) Thanks, guys — great work!
The story behind the album itself is a better one: Trever Keith and I (aka the Legion of Doom) made a record with Triune — prolific rap battle veteran, member of Footsoldiers, and one of the premier emcees of the Los Angeles underground. Triune brought his rhymes and one-of-a-kind delivery, and some friends (Raphi, Motoe Blizzid, HS Couture, Xhale and Addicus Brown). We brought loads of samples from old public domain film soundtracks, original instrumentation and our signature Legion beats and production. This collision of talent and styles yielded a record that is part hip-hop, part trip-hop, part indie rap, part indie rock. This is not a typical hip-hop record.
The Legion of Doom vs Triune is available now from Amazon, iTunes, and most other major download providers.